Description from Goodreads:
"Eleanor Dash can never catch a break. Not only has she had to solve two real-life murder plots in the past year, but both times it was when she was meant to be on vacation. Now she’s finally got a ticket to a relaxing weekend—an all-inclusive resort at the Bahamas where she’s speaking at a conference for murder mystery writers—but she arrives to find a body on the floor of her hotel room. Because of course she does.
With plenty of familiar faces at the resort, any one of them could have been the intended target or the culprit behind it all. Was it Oliver Forrest, Eleanor’s dashing boyfriend who’s in danger of getting dropped by his publisher because his sales are dwindling? Or Connor Smith, Eleanor’s infuriating ex-lover-turned-bestselling-rom-com-author with a sordid past of his own? Or her sister Harper, whose own stilted writing career has been a sore point for years as Eleanor’s has soared? Perhaps it’s one of the other writers also in attendance, as friends, frenemies and foes from Eleanor’s past all seem to be invited to the island.
Surrounded by mystery writers who know all too well the many ways to craft the perfect crime, Eleanor is determined to get to the bottom of the mystery and do whatever it takes to get out of this weekend alive."
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A resort mystery that didn't quite work for me in either format
After listening to the audio version of this book, I really hoped that sitting down with the physical copy would give me a different experience, but unfortunately it still didn't quite work for me.
The story takes place at an all-inclusive resort in the Bahamas where Eleanor Dash, a mystery author, is attending a writers' conference. Things quickly go downhill when a dead body appears right on her hotel room floor. I usually love a good locked-island setup, but the execution here just felt a bit too chaotic.
There is a huge cast of characters to keep track of, and because this is the third book in a series, I felt like I was constantly playing catch-up with the history. On top of that, the plot got so convoluted towards the end with all the red herrings that it lost me a bit.
When I tried the audiobook, I found the constant, quirky footnotes where the main character talks directly to the reader quite disruptive to the flow. Having the physical book in front of me definitely made those footnotes easier to navigate on the page, but the formatting still broke up the tension of the actual investigation.
It is a light, snappy beach read if you enjoy a lot of drama and modern slang, but it just had a few too many niggles to be a standout for me. It does what it says on the tin, but it stays firmly in the neutral zone.
Thank you to the author, Pan Macmillan and NetGalley for enabling me to read and share my thoughts of this book.
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